Then comes the next project with you going after a different look, and the second pack is licensed, and then the third, the fourth and I can go on and on, and on. With a limited budget, an investment in a LUT pack of 100 or so Euros seems like a good idea.
If there isn’t one, it means your camera has the natural colour look applied in-camera. Look LUTs always assume natural colour, which is why you’ll want to apply the camera LUT if there is one. Color Finale LUTs solves most of the issues that crop up soon after you have invested in LUT packs.Īn input or camera LUT is used at the beginning of the colour correction process to adjust your film project so that the colours shot with an ARRI that wildly differ from those shot with a Sony CineAlta look the same in your colour grading station - think anything from Premiere Pro over Final Cut Pro X to - par excellence - DaVinci Resolve.Ī look LUT contains instructions to create a baseline for a desired look in your footage and as such is a time saver. LUTs easily and quickly change the look of your footage, sometimes even replacing the colours your camera shot altogether.Įven if they’re cheap, it’s appealing to have many LUTs available for quick-and-dirty work or because you’re colour grading illiterate. When you apply a “looks” LUT to footage, you are actually applying mathematical formulas that someone else developed to your footage’s existing colours.
Collecting large numbers of the things may quickly lead to thousands of small files on your system, often without you having a clue as to what they will make your footage look like. Colour LUTs or Colour Lookup Tables in full are a kind of digital colour filters and there are millions of them out there, paid as well as free.
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